Login View Cart Time remaining: 00:00 Activate Code Your cart has expired Your order contained expired items and your shopping cart has been emptied. Close Details Sunday, September 13, 2026 7:00PM Sunny Jain's Wild Wild East 2026 Sunny Jain Wild Wild East Behind its idealism, the American myth of westward expansion has always been an irony-caked parable about what happens when you try to escape the known for the pursuit of new beginnings. The traits we think we’ve spotted in the cowboy — bravery, boldness, a willingness to sacrifice the known for the sake of the better — have always been suspect. But the courage to leave behind a homeland and head west, to boldly step into a new place and declare it home, to survey the scene and try to find your place in it? That’s still around. “The idea of the American cowboy is this romanticized idea that’s just false,” Sunny Jain says plainly. “The immigrant is the current-day cowboy or cowgirl.” This dynamic — of interrogating American myths to make them fit the reality of our world, of both questioning and rhapsodizing the notion of identity in a contingent world — is at the heart of Wild Wild East , the new album from the Brooklyn-based bandleader, composer, dhol player, and drummer. It’s also at the heart of his story — as the son of immigrants from India, as a kid from Rochester raised on the Cure and prog rock, as a fluid jazz drummer on his own and as a party-starter with Red Baraat, as an American of color. Accordingly, his view is broad enough to take in shuddering walls of post-rock guitar, howling tenor sax, the persistent thump of Indian brass band music, rhythms from Punjab and southern Pakistan, film soundtracks from around the world, and swaggering West Coast rap. But like Jain himself, Wild Wild East can’t be reduced to a cosmopolitan series of signifiers taking their turn in the spotlight. The ease with which Jain braids his sound highlights the interconnectedness of global styles — and that sense of connection